Shape of Momo, a Nepali-Language Film Set in Sikkim, Marks a Debut Feature Film. The Film Releases in Theaters on May 29.

To call Shape of Momo one of the most important Indian films this year would not be an exaggeration. The Nepali-language film, set in Sikkim, is one of the rare feature films from the region and in that tongue. Helming it is a first-time filmmaker, whose efforts have found backers in Reema Kagti and others. After winning acclaim at film festivals worldwide, Shape of Momo had its grand homecoming this week, with a theatrical release across India. Ahead of the release, the filmmaker spoke about the joy of bringing the film to its home audience, the scope of independent cinema, and how lived-in experience shaped the film.

Shape of Momo marks a directorial debut.
Shape of Momo marks a directorial debut.

On Shape of Momo’s Theatrical Release

“I am really excited to release the film all over India and to have Reema (Kagti), Zoya (Akhtar), and Payal (Kapadia) on board. I don’t think any film from Sikkim has got the kind of support that this film has,” begins the filmmaker as we talk about the film finally finding a release in India.

The filmmaker admits being nervous about the home audience’s reaction. “I am a bit nervous because the hero of the film is not the conventional protagonist you see. Apart from that, I feel people in India will be able to appreciate how people across the world have been able to,” she says.

‘We Should Not Complain About Misrepresentation’

Shape of Momo is set in Sikkim and tells the story of a woman who returns home after quitting her job, only to be beset by patriarchy and unrealistic expectations. The film features all local artists and was extensively shot on location in Sikkim. “Growing up, I didn’t see someone like us or our stories on screen. One of the primary reasons why I made the film in my language (Nepali) and set it in my own house in my village was that we have had very little representation,” says the filmmaker.

But while many filmmakers complain about the underrepresentation of the North East in mainstream Indian cinema, the filmmaker says instead of complaining, we should bring about a change. She explains, “I feel we should not complain about misrepresentation. This is the digital age; everyone is making films. We should take the reins into our own hands. If you want to be the hero of your story, you have to do it yourself.”

‘I Have Always Felt Like a Second-Class Citizen’

After premiering at the Busan International Film Festival in September 2025, Shape of Momo was screened at four more international film festivals. It won the Songwon Vision Award and the Taipei Film Commission Award at Busan and the Golden Royal Bengal Tiger Award at the Kolkata International Film Festival. All these laurels may have made the filmmaker a star across the world, but back home, she admits she still faces the same prejudices that her character does.

“After doing the rounds of (film) festivals, when I go back to my village and bump into someone, they say, ‘Film ho gayi, congratulations. Shaadi kab kar rahe ho?’ I grew up under the pressure to be the son my parents never had. Ours is a very progressive society, but I have always felt like a second-class citizen in my own place. This is why I wanted to make films. When you grow up thinking you are less of a person than the other gender, you end up making a film like Shape of Momo,” she says with a smile.

Shape of Momo released on select screens across India on May 29.

Sikkim

Sikkim is a northeastern Indian state nestled in the Himalayas, known for its stunning landscapes and rich cultural diversity. Historically, it was an independent Buddhist kingdom ruled by the Namgyal dynasty from

Sikkim

Sikkim is a state in northeastern India, nestled in the Himalayas and known for its stunning landscapes and rich biodiversity. Historically, it was an independent Buddhist kingdom under the Namgyal dynasty for centuries before becoming a protectorate of India in 1950 and later merging as India’s 22nd state in 1975. Today, it is famous for sites like the Rumtek Monastery and the third-highest mountain in the world, Kanchenjunga.

Busan International Film Festival

The Busan International Film Festival (BIFF), first held in 1996, is one of Asia’s most prestigious film festivals, held annually in Busan, South Korea. It was established to promote new films and emerging directors, particularly from Asia, and has since grown into a major cultural event that screens hundreds of films from around the world. BIFF is known for its open-air screenings at Haeundae Beach and its role in launching the careers of many influential filmmakers.

Kolkata International Film Festival

The Kolkata International Film Festival (KIFF) is an annual film festival held in Kolkata, India, first established in 1995. It was initiated by the West Bengal government to promote world cinema and cultural exchange, and it has since grown into a prominent event on the global film calendar. KIFF showcases a diverse range of international and Indian films, including retrospectives and competitive sections, while honoring the city’s rich cinematic heritage.

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